There's No Time For Presents Review
- George
- May 22
- 2 min read
There's No Time For Presents by THE BURBS is a punchy alt-rock track with a flavor of the nineties. The subtleties of the vocal cadence and the compression used in the production create a sound reminiscent of Avril Lavigne and other icons of that era. The guitar is charismatic and confident, exploring the lows of the sonic tapestry. It has a crisp and crunchy distortion full of fuzzy energy.
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This sound plays more into the nineties influences and contrasts the clarity of the vocals, creating a unique sound. The guitar comes in and out of the mix, providing weight to the high-energy sections. Its moments of absence are impactful in establishing the quieter, more emotional, introspective aspects of the melody and narrative. The guitar adds to the mix with its absence and its presence through the contrast. The guitar has two distinct gears. There is a muted strumming aspect and a grungey power. The muted strumming helps establish the rhythm along with the drums. It also builds tension for the chorus. There is a sense of tension built up in these sections. Holding back the guitar makes the audience more invested in the inevitable release. The juxtaposition between the quiet moments in the verses and the boldness in the choruses is emphasised by the power of the guitar coming in and injecting the piece with energy during those sections.
The vocals are another brilliant aspect. With a mix of laid-back lethargy and confidence, they convey the narrative, leading the flow of the song. They morph between confident and subtle with such ease. Both of these moments feel incredibly natural, showing off the versatility of the vocalist. The drums are a constant throughout the track, not simply creating a rhythmic structure but growing and evolving, connected to the motions of the song overall.
This track is an excellent example of the nineties-inspired alt-rock sound. It forms its own identity and conveys confidence and energy.
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