Tear Gas by SJS is a captivating track from A Sequence Of Mistakes. The project brings on new musical influences to the group including an excellent vocal performance courtesy of Kirsty Forster and a jazz piano performance from Richard Naisbett. These two musicians add a significant element to the sound of Tear Gas. I first want to highlight how the group shifted their sound to incorporate and elevate these new creatives. Forster’s vocals cut through the melody like a knife and instead of burying them or allowing them to flow in with the other compositional elements, the production elevates them, giving them a dominant sonic position within the mix. They are a foundational element for the track and allow other sonic elements to shift and evolve underneath them.
Sponsored
During our interview, Stawman explained that he had a section in mind to sing alongside Forster but after hearing her take, he decided to remove a lot of his influence, allowing her to shine. That maturity to put the vision of the project overall over an individual influence is part of the reason why Tear Gas sounds so special. This choice is also a fantastic example generally of being flexible as a musician and changing the music as new options reveal themselves. The synth is a subtle aspect of the track that adds to the soundscape. It contributes a slightly enigmatic and sinister energy, highlighting minor chords through its haunting timbre. This energy is balanced out by the power and confidence of the guitar. Together, they feel like two sides of the same coin, each adding the contrast that the other requires to build a cohesive and dynamic sonic landscape. The jazz breakdown later in the track excellently utilises a talented piano player while also providing a tonal deviation that keeps the audience engaged. It also feels symbolic of the chaos as the relationship in the song’s narrative morphs and shifts through the conflict and misunderstanding. Overall, this track feels like a masterclass in playing to your sonic strengths and allowing outside influences to improve your work without compromising on your sound or storytelling.
Commentaires